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Monday, 28 January 2008 |
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| ਮੁੰਬਈ(ਭਾਸ਼ਾ), 28 ਜਨਵਰੀ 2008 ( 07:19 IST ) |
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ਬਾਲੀਵੁੱਡ ਸਟਾਰ ਸ਼ਾਹਰੁਖ ਖਾਨ ਨੂੰ ਇੱਥੇ ਇੱਕ ਸਮਾਰੋਹ ਵਿਚ ਫਰਾਂਸ ਦੀ ਸਰਕਾਰ ਦਾ ਸਨਮਾਨ 'ਆਫਿਸਰ ਆਫ ਦ ਆਰਡਰ ਆਫ ਆਰਟ ਐਂਡ ਲੈਟਰਸ' ਪ੍ਰਦਾਨ ਕੀਤਾ ਗਿਆ.
ਸ਼ਾਹਰੁਖ
ਖ਼ਾਨ ਨੂੰ ਇਹ ਪੁਰਸਕਾਰ ਹਿੰਦੀ ਫਿਲਮ ਉਦਯੋਗ ਵਿਚ 15 ਸਾਲ ਦੇ ਯੋਗਦਾਨ ਲਈ ਪ੍ਰਦਾਨ ਕੀਤਾ
ਗਿਆ ਹੈ. ਸ਼ਾਹਰੁਖ ਦੀਆਂ ਸਾਲ 2007 ਵਿਚ 'ਚੱਕ ਦੇ ਇੰਡੀਆ' ਅਤੇ 'ਓਮ ਸ਼ਾਂਤੀ ਓਮ'
ਜਿਹੀਆਂ ਫਿਲਮਾਂ ਸੁਪਰਹਿੱਟ ਰਹੀਆਂ ਹਨ.
ਸ਼ਾਹਰੁਖ ਨੂੰ ਇਹ ਪੁਰਸਕਾਰ ਭਾਰਤ ਵਿਚ ਫਰਾਂਸ ਦੇ ਰਾਜਦੂਤ ਜੇਰੋਮ ਬੋਨਾਫੇਂਟ ਨੇ ਇੱਥੇ ਚਾਰ ਦਿਨਾ ਫਰੈਂਚ ਫਿਲਮ ਸਮਾਰੋਹ ਦੇ ਉਦਘਾਟਨ ਮੌਕੇ ਪ੍ਰਦਾਨ ਕੀਤਾ. |
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Saturday, 26 January 2008 |
 Finally it is Aishwarya Rai Bacchan! The
glamorous actress is to star opposite Tamil film icon Rajnikant in
sci-fi film "Robot" though there is no official confirmation from
either the producer or director.
Aishwarya told the media that she would be pairing with Rajnikant in
the movie being directed by Shankar. This will be her second project
with Shankar after "Jeans", which released in 1998. She had starred
opposite Prashant in "Jeans".
Two weeks ago, Shankar had signed up superstar Rajnikant for the
lead role in "Robot". Since then, the media has speculated on Aishwarya
or Deepika Padukone for the lead opposite Rajni.
According to the film industry sources, Shankar was in Mumbai with
the script and the former Miss World responded positively after "having
gone through the script thoroughly".
Even for Shankar's "Sivaji: The Boss", rumour mills had predicted
Aishwarya as the female lead opposite Rajnikant, but low-profile Shriya
Sharan was roped in at the end.
One of Rajnikant's daughters is also named Aishwarya.
After the success of "Sivaji: The Boss", Shankar announced that he
will repeat the 57-year-old actor in "Robot" - a Rs.1 billion film,
which the industry predicts will be a greater success.
Both Rajni and Shankar are reportedly keen on "Robot" becoming an international success.
Maestro A.R. Rahman will compose the music. The film will be
released in Hindi, Tamil and Telugu languages and will be distributed
by London-based Ayingaran International.
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Tuesday, 22 January 2008 |
 From Anees Bazmi – the director of “No Entry” (2005) comes another crazy comedy which centres on miscommunications and misunderstandings. “Welcome” appears to have been made with a bigger budget, boasts of a stellar cast and contains special effects that gives it the look and flavour of a cartoon. It does not however, replicate the pace and energy of its predecessor; partly because the main characters played by Akshay Kumar and Katrina Kaif, recede into the background.
The more robust characters – the gangland figures, seem at first to be of secondary importance but come to dominate the narrative. The sense of balance and focus that Bazmee displayed in his earlier film isn’t evident to the same degree in this venture.
There are some amusing sequences in this story about two mobster brothers (Nana Patekar and Anil Kapoor) who plan to arrange a decent marriage for their sister. Patekar plays an outrageous don who nurtures a secret desire to become a movie star and whose personality swings comically between the sedate and the manic. His uncouth brother – Manju has a penchant for painting, bailing up his models at gun-point then setting up his easel amidst the chaos so he can paint the scene. These eccentric bad guys with their uncharacteristic yearnings have a lot of comedic scope which is realised episodically. The part when Uday (Nana Patekar) gets an opportunity to play the romantic lead in a movie alongside a beautiful starlet (Mallika Sherawat) is hugely entertaining because they are such an unlikely couple.
Filmed in the typical clinches of sizzling passion during the ‘Kiya Kiya’ number with Patekar really hamming it up, the sequence is a lot of fun. Or there’s the instance when gormless Manju paints a ludicrous picture of what appears to be a donkey standing on top of a horse and has it analysed “in all sincerity” before an audience of art experts. What’s missing in “Welcome” however, can be traced to a patchy screenplay.
Funny episodes take a bit of setting up. In “No Entry”, the errors in communication just seemed to compound and give momentum to a single premise. “Welcome” is rather fragmented; ideas run their course so then comes the arduous task of setting up another funny encounter from scratch. The “stop/start” nature of the film leads to quite a lot of flabby bits and some rather dull characters that act as plotting devices rather than having their own quotient of entertainment value. Mallika Sherawat provides a lame twist that allows the story to continue beyond intermission. Feroz Khan’s presence as BDX – the godfather, is purely there to set up a very funny cremation scene in the second half. The laughs eventually come but viewers have plenty of time to text friends, go to the counter for more popcorn or contemplate what they’re going to do after the movie before the next bit of humour kicks in. The choppy state of the screenplay affects the pace of the film which as a caper comedy relies heavily on momentum.
Akshay Kumar’s character (Rajiv) starts off being mildly interesting. A paragon of virtue, he is looking for an equally high-minded bride and finds her in the form of Sanjana (Katrina Kaif) – the sister of gangsters Uday and Manju. This of course is one of the many errors in a comedy of errors compounded by a string of rash decisions made by Rajiv’s uncle. Paresh Rawal is effective in the role of the uncle but the character is not a new one for him – being a cross between the father in “Cheeni Kum” and Baburao from “Hera Pheri”. In terms of interest and humour, both Rajiv and his uncle are overshadowed by the more creative and quirkier characters of the mobsters.
At the beginning of the film, we get the impression that Rajiv will be the focus of the screenplay and that his romance with Sanjana will be a significant/fun part of the story. This expectation may be as much a product of the Kaif/Kumar pairing in recent hit movies as it is a response to the opening of the film when Sanjana in a watchable role reversal, rescues Rajiv from a fire. There’s a courtship sequence, some love songs but nothing really sparkles of the romantic front. The writers seem to have been torn between the necessity of the staying with the core story and the temptation to digress and create more interesting stories relating to the gangland figures. After intermission the screenplay is well and truly skewed as Rajiv and Sanjana take back-seat in all the crazy developments relating to the gangsters.
It’s a wacky-caper comedy that doesn’t hang together very well but offers some laughs. A faster pace – more twists and turns without the necessity of playing “lip-service” (excuse pun) to romance, may have given a more satisfying viewing experience.
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Monday, 21 January 2008 |
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 Taare
Zameen Par is a movie which teaches its viewers a lesson worth
listening to. The Movie has a solid storyline and captures its
audience from start to finish. Movie goers have reported crying while
the movie climbs towards its climax. It's a truly touching movie which
invites its viewers to share in a story of a young boy and his
struggles in our world surrounded by "normal" people. We give this
movie 4 stars out of 5
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ਭਾਰਤ ਵਿਚ ਤੇਜ਼ੀ ਨਾਲ ਵੱਧ ਰਿਹਾ ਹੈ ਖੁਸ਼ਹਾਲ ਵਰਗWednesday, 02 July 2008ਨਵੀਂ ਦਿੱਲੀ- ਹਾਲਾਂਕਿ ਹੀ ਮਹਿੰਗਾਈ ਦੀ ਦਰ 11 ਫੀਸਦੀ ਦੇ ਪਾਰ ਹੋਵੇ, ਹੋਮ ਲੋਨ ਸਮੇਤ ਹਰ ਕਿਸਮ ਦੇ ਕਰਜ਼ੇ ਦੀਆਂ ਵਧਦੀਆਂ ਦਰਾਂ ਕਾਰਨ ਤੁਹਾਡਾ ਘਰੇਲੂ ਬਜਟ ਗੜਬੜਾ ਗਿਆ ਹੋਵੇ, ਮੰਦੀ ਦੀ ਮਾਰ ਕਾਰਨ ਨੌਕਰੀਆਂ ਮਿਲਣੀਆਂ ਮੁਸ਼ਕਿਲ ਹੋ ਰਹੀਆਂ ਹੋਣ, ਇਸ ਸਭ ਦੇ ਬਾਵਜੂਦ ਭਾਰਤੀਆਂ ਕੋਲ ਮੁਸਕਰਾਉਣ ਦਾ ਕਾਰਨ ਹੈ। ਭਾਰਤ ਵਿਚ ਖੁਸ਼ਹਾਲੀ ਦੀ ਦਰ ਸਭ ਤੋਂ ਤੇਜ਼ ਹੈ। 25 ਸਾਲ ਪਹਿਲਾਂ ਦੇ ਮੁਕਾਬਲੇ ਅੱਜ ਭਾਰਤੀ ਜ਼ਿਆਦਾ ਖੁਸ਼ ਹਨ। ਯਾਨਿ ਦੁਸ਼ਵਾਰੀਆਂ ਦੇ ਬਾਵਜੂਦ ਵੀ ਭਾਰਤੀ ਖੁਸ਼! ਅਮਰੀਕਾ ਦੀ...
ਬ੍ਰਿਟਨੀ ਨੂੰ ਚਾਹੀਦਾ ਹੈ ਸ਼ਾਂਤ ਘਰ ਅਤੇ ਹਰਿਆ-ਭਰਿਆ ਪੜੌਸWednesday, 02 July 2008
ਲਾਸ ਏਂਜਲਸ- ਅਦਾਲਤ ਦੇ ਰਿਕਾਰਡਾਂ ਤੋਂ ਪਤਾ ਲੱਗਦਾ ਹੈ ਕਿ ਬ੍ਰਿਟਨੀ ਸਪੀਅਰਸ ਨੂੰ ਹਰੇ-ਭਰੇ ਸ਼ਾਂਤ ਅਤੇ ਵੱਡੇ ਵਿਹੜੇ ਵਾਲੇ ਘਰ ਦੀ ਤਲਾਸ਼ ਹੈ। ਜਾਰੀ ਦਸਤਾਵੇਜ਼ਾਂ ਤੋਂ ਪਤਾ ਲੱਗਿਆ ਕਿ ਬ੍ਰਿਟਨੀ ਨੁੰ ਵੱਡੇ ਵਿਹੜੇ ਵਾਲੇ ਘਰ ਦੀ ਲੋੜ ਹੈ, ਜਿਸ ਦੇ ਆਸ-ਪਾਸ ਬਗੀਚੇ ਹੋਣ। ਆਪਣੇ ਬੱਚਿਆਂ ਸੀਨ ਪ੍ਰੈਸਟੋਨ ਅਤੇ ਜਾਸਦੇਨ ਜੇਮਸ ਦੇ ਲਈ ਉਸਨੂੰ ਨਵੇਂ ਖੇਤਰ ਦੀ ਤਲਾਸ਼ ਹੈ। ਬ੍ਰਿਟਨੀ ਅਜਿਹਾ ਘਰ ਚਾਹੁੰਦੀ ਹੈ ਜਿੱਥੇ ਉਸਦੇ ਬੇਵਰਲੀ ਹਿਲਜ਼ ਸਥਿਤ ਉਸਦੇ ਵਰਤਮਾਨ ਘਰ ਤੋਂ ਘੱਟ ਆਵਾਜਾਈ ਹੋਵੇ।...